


| QUOTE |
| We've been waiting to write this review for six years. And where better to start than at the beginning? Moroboshi Ataru is the world's unluckiest boy. He's also the world's biggest lecher, and can't seem to get any girl to give him the time of day. One fine day, aliens come down to invade the Earth, but they give the hapless Earthlings a chance to save themselves by randomly choosing a hero to play a game of tag against their green-haired sexpot crown princess Lum. Unfortunately for Earth, their hero is Ataru. While everyone prepares for the world to end, Ataru does his best to capture the princess, who can fly and send electric shocks. At the last moment, Ataru's “lady love”, Shinobu, makes a deal with him – if he wins the game of tag, she will marry him. A motivated Ataru wins the match in the final minutes, and upon winning, yells out for all to hear, “Now I can marry her!” Unfortunately, he doesn't specifically which “her” … and the crown princess Lum and the race of invading aliens accept his heartfelt marriage proposal. |
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| Anime as we know it now would not be what it is if it weren't for Urusei Yatsura. Prior to this show, most anime was still relegated to Saturday mornings and family fare. Even anime like Captain Harlock and Space Battleship Yamato were seen as shows for younger people, and while housewives had Sazae-san, anime was not seen as a legitimate form of entertainment for all ages. And while there were a few exceptions, anime was seen as very much “for kids”. Enter Urusei Yatsura, which still resonates in Japanese culture to an extent rivaled only by Doraemon. But as Doraemon was a success among children, Urusei Yatsura was a show that truly crossed over for both young and old alike. And Lum is considered the first anime idol – no previous non-mascot anime character had ever sparked so much merchandising, records, posters, or simply become such a multimedia phenomenon. Lum was the first anime character that Japanese guys could idolize without being looked at funny – and she remains an icon not just in Japan, but worldwide. To spark such a phenomenon, one would have to assume that the actual show is good, right? Well, it is. Urusei Yatsura was truly revolutionary – no show had ever parodied the breadth and width of Japanese culture, past and present, so thoroughly as this one. With a huge cast of memorable, wonderful characters who are the seeds of today's anime archetypes (like anime's first true loser hero, Ataru, and first ditzy, petty magical girl-from-heaven, Lum), UY remains the mold that modern creators look to when creating their series. Most anime of the last twenty years can trace at least some influence to this show, and when anyone says, “It's been done before and better,” odds are that it was done by UY. It may seem unfair or pretentious to compare all anime from 1981 onwards to Urusei Yatsura, until you realize that this show has everything ... AND the kitchen sink. While the characters are supposedly from a sci-fi show, they lampoon everything from mythology and folktales (the Oni, snow maidens, Momotaro) to modern Japanese society (Ataru's long-suffering parents, the put-upon teacher Onsen-Mark, the deranged and often irrelevant Buddhist monk Cherry) and different aspects of the then-current pop culture (disco music, romance dramas, biker gangs). Of course, UFOs and aliens were hip and cool in early 1980s Japan, which is why Urusei Yatsura is steeped in the sci-fi tradition, but it rarely takes itself seriously unless it wants to. But more often, Tomobiki High School is the backdrop for what can properly only be described as pure insanity. Of course, no high school is complete without its zany cast of characters. Ataru is a completely irredeemable lout who really does bring on all the misery he gets in his life. And at the same time, you can't help but cheer for him and hope the poor loser catches a break someday. Then there's Lum, who floats around and wallows in the cutesy teenage slang of the time like an interstellar Valley Girl, while she chases Ataru around and zaps him for being unfaithful (since they're “married” and all). There's Ataru's handsome, filthy rich, and equally lecherous rival Mendou Shuutarou, who chases Lum around (because having an alien princess for a wife would be the ultimate status symbol). And there's Ataru's erstwhile fiancée, Shinobu, who can lift and throw large objects (like Mack trucks) in her fits of rage without even really thinking about it. And there's dozens and dozens more characters, who would take the next six years to adequately describe. (Like the goddess of luck, Benten, who is mysteriously now a biker chick. Or Lum's bratty little cousin, Ten, who breathes fire, flies around on a training potty, and torments Ataru any time he can.) However, for readers of the manga, the anime seems to go along on completely different tangents from the original. Where the manga has plenty of SF hi-jinks with the cast described, the anime brings in a foursome who many fans lovingly refer to as “Lum's Storm Troopers” (Megane “Glasses”, Perm “Curly”, Chibi “Shorty”, and Kakugari “Buzz”) – more often than not instigators of nine-tenths of the craziness in the anime. Initially absent in the manga, these everyday teenage boys are the anchors of the show, everyday Joe Schmoes who idolize Lum but don't have a chance in heck with her – and chase her anyway. In a sense, the “Storm Troopers” epitomized the audience of Urusei Yatsura and are the unheralded secret of the success of the anime. Rarely the true center of the action, they are nonetheless its catalysts, sparking the madness and grounding it at the same time. Where the main cast in the manga often simply runs amok, the anime “Storm Troopers” serve as a foil to Ataru and Mendou, and slow down the action enough so that all the characters get personalities beyond the archetypes presented in the manga. The animation, for its time, is fairly average. Unfortunately, this means that Urusei Yatsura has noticeably aged, but thankfully they don't try too many neat things with the television budget. It probably would look more dated if they tried to look state-of-the-art. The music is heavily calypso-influenced (as was popular in Japan during the time period), and there is a whole lot of disco dancing going on. But the songs are cute, funny, and enjoyable even now … even younger fans who are normally deathly allergic to disco have been caught grooving to “Lum's Love Song” and “Space is Super-Weird”. Nothing quite sums up Urusei Yatsura as the word “weird”. UY epitomizes the very idea that the Japanese are completely frickin' insane … and quite proud of it, thank you very much. However, this show isn't just about being weird and funny. If all UY had to offer was gag-a-minute visuals, then it wouldn't still be airing on reruns even today in Japan like an anime I Love Lucy – and Lum's image wouldn't be selling pasta on a poster in Rome, over twenty years after the show first hit the air. Urusei Yatsura is a timeless comedy that takes a deep, hard look at the Japanese psyche with a funhouse mirror. Younger fans may dismiss it now because they've seen all the jokes in newer anime like Ranma ½, Tenchi Muyo, and Sorcerer Hunters, but Urusei Yatsura is a landmark series that deserves to be remembered for what it is: one of the first megahits … and still one of the best. An original and unapologetically Japanese classic that earns every star we can give. Newer fans, however, might drop a star or two due to dated animation and not having the fandom and/or cultural background to properly appreciate it. |

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| Set in 1980s Japan, Godai Yusaku is a ronin (someone who has failed university entrance exams) living in a run down apartment complex called Maison Ikkoku. Among the other residents are the nosy Ichinoses, the bombshell Roppongi Akemi, and the mysterious salaryman(or is he?) Yotsuya. The others are given to having wild parties which makes it difficult for Godai to study. Into this mayhem comes the recently widowed Kyoko as the new live-in manager. It's love at first sight for Godai, but of course he doesn't have the nerve to tell her (is he nuts?!). As time passes, their relationship slowly (and realistically) develops amid life at Maison Ikkoku, despite all sorts of romantic hurdles. |
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| Nothing, nothing, nothing can prepare you for this series. When most of you think of Takahashi Rumiko, you think super-dimensional mallets, massive glomping, slapstick humor and an entourage of characters that make the show nothing short of a circus. You would never expect that the very same Takahashi is a master weaver of subtle, gentle, and poignant relationships--sans resentment, violence, shouting matches, and "I-love-you-but-will-pretend-to-hate-you" a la kindergarten playground antics. Maison Ikkoku takes you (and nearly any Japanese person) back to the days when love was--well, still anything but simple, but sweeter and quieter than what it is today. "Moe" was nowhere to be seen, Internet and cell phones were absent, preventing a lot of today's modern-day lover mix-ups, and shounen titles were still capable of delivering love stories that made shoujo titles writhe with envy. Godai Yusaku is the boy you love more than anything, but would avoid associating with at all costs. He is, from an outsider's view, a total loser. He has failed his university exams, living on instant ramen, burying his face in dirty magazines, his life is one bad decision after another...and could very well have been an endless downward spiral into eternal loser-dom, were it not for the fateful arrival of the beautiful, but quite normal Otonashi Kyoko. Kyoko, a young widow who takes over the seemingly unglamorous and stressful job of managing Ikkoku-kan's tenants, is sweet but firm, mature and graceful--and, let's face it, totally out of Godai's league as it stands. Slowly, as a lustful Godai actually gets to know Kyoko as someone other than "the HAWT manager lady" (I exaggerate), we begin to see the gradual maturation of Godai into an aimless teenager into a mature young man, striving to be husband material for the sympathetically independent Kyoko. The realism and gradual development between the two main characters is so refreshing and never forced. While we never lose focus of the end goal in sight (this is a love story, after all), there are several detours along the way--some in the form of love triangles, other in the forms of lifetime responsibilities (Godai actually graduating college, for example). A determined Godai and the audience are all taught the virtue of patience--as much as all of us want him to win the girl, we understand (along with the main character) that truely good things are worth waiting for...and in the mean time, life goes on for everyone. Kyoko and Godai both date other people, do different things, take different paths, the only thing keeping them together being sharing the same roof of Ikkoku-kan. At one point, even that is threatened. On a personal note, it was this series that pushed me over the edge in a sense--in regards to moving to Japan. Maison Ikkoku gives a very accurate portrayal of an average Japanese person's life, especially that of a singleton living alone and fairing for themselves. We see the fun, the not-so-fun, and the very unsavory realities of living in Japan. It is cramped. It is crowded. You do spend most of your time on the floor. Making the picture of your average Japanese life even more complete is the colorful, slightly zany cast of supporting characters, starting with (but not limited to) the other tenants of Ikkoku-kan. Unlike so many supporting casts, the tenants of Ikkoku-kan are not living in a vacuum, and react to all the things that happen to our main characters. Certain "plot holes" that normally aren't addressed in other titles are questioned here (like "where is Kentaro's father?" and "what does Yotsuya do for a living?"), and each one has identities of their own with events and consequences that leak into each other's lives. Incredible animation is not necessary for telling such a breathtaking story, but fortunately, we don't have to worry about being short-changed. Of course, the vintage of this series is the early-to-mid eighties, so the animation you can expect is somewhere between the later part of Urusei Yatsura and the earlier part of Ranma 1/2, as much of the creative teams for these series took part in Maison Ikkoku. The music and sound effects are also slightly dated for the times, but the opening the ending animation sequences remain some of my favorites. The Jpop masters of the time (including actress Saitoh Yuki, Pierrot, and now defunct Anzen Chitai featuring Tamaki Kouji) lend their talents to the impressive collection of theme songs, capturing the era, the hope, the passion, and the longing in a way that most anime theme songs fail to do in more recent years. But with a whopping 96 episodes (has Takahashi ever done a single-season series other than Rumik World?), it might take a bit of convincing to get into something (especially something as emotionally involving as this series) for the long haul. Let me put it this way: if I had my way, I would attend every anime convention and pass out copies of the series like an evangelist would Bible tracts. Unlike so many of Takahashi's recent (and loooooong!) series, this one has a solid, rewarding conclusion. One that makes you both cry and cheer at the same time. So rarely in an animated series are there characters that you laugh with, drink with, cry with, party with...and Godai and Kyoko open the door to you to join them in Ikkoku-kan...and the greatest days of their young adult lives. This is Takahashi at her best. Heck, this is anime at its best. There may never be "the greatest anime series of all time," but I would bet a good amount of money that this series would be on most (respected) anime viewers' top five lists. |

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| Tendo Soun receives a postcard from China indicating that his old friend, Saotome Genma, is returning from a training trip with his son, Ranma, to marry one of Soun's daughters to carry on the tradition of the Anything-Goes-School-of-Martial-Arts. When Ranma arrives, Soun faints in shock when it's revealed to him that Ranma is actually a girl. Here's the catch, though: Ranma's not really a girl, but a boy with a Chinese curse, triggered by cold water while hot water reverses the effect. Ranma is then given a choice of Soun's three daughters: sweet and demure Kasumi, money-grubbing Nabiki, or cute but violent Akane. Kasumi and Nabiki immediately pick Akane for Ranma, since "Akane hates boys, but Ranma's only half a boy." Akane doesn't like Ranma because he beat her at martial arts (he was a girl at the time), and Ranma doesn't like Akane because she's violent and "uncute." Ranma makes the crack that he's better built as a girl than Akane is, and Akane thanks him by crushing him with the dining table. A healthy start to a beautiful relationship. And this is only the beginning ... |
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| I love this thing. This was one of the first anime titles I saw, and it's still one of my all time favorites. Ranma 1/2 is one of the funniest things I've ever seen, anime or otherwise. The scripting is great, a laugh a minute, and the situations posed to Ranma and the gang defy all senses of propriety, sanity, or gravity. The characters are all hilarious (and cute too), and help make the series more than just another teenage sitcom. There is no middle ground in Ranma 1/2, which helps create the simply BIZARRE conflicts between the characters. Beverly Hills, 90210 has nothing on Ranma 1/2 when it comes to complex relationships. Love triangles? Heck, try love three-dimensional parallelipideds strewn with secants, diagonals, and singularities. The martial arts in Ranma 1/2 is also very good. Not very realistic, of course, but the fight scenes well executed enough that even a non-martial arts fan can get caught up in the action (kinda like what Jackie Chan does for martial arts on the silver screen). Of course, it doesn't hurt either that the animation is generally pretty good, especially for a TV series (the OAV series has even better animation). "Romantic" scenes are done well, too, never taking itself too seriously lest it turn into a soap opera. Soundtrack is done well. Not too complex, not too fancy, but just what the scene needs to pack that extra punch. Of course, the OAV themes put out by Doco (the quintet consisting of the voice actresses for onna-Ranma, Shampoo, Kasumi, Nabiki, and Akane) are in my opinion at least as good as anything else out there. Dubbing...well, the Japanese version is probably better, but who cares? Ranma 1/2 has some of the best dubbing I've ever heard. All the actors really put effort into their parts, and the voice matches are done amazingly well. In fact, I actually prefer some of the U.S. voices to the Japanese voices (Kuno and Nabiki). All in all, thumbs up, especially the first season. You want a good time? Ranma 1/2 is the one for you. |

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| Kagome, a girl from modern Tokyo, falls into the Bone Eater's Well, which happens to be a portal to and from ancient Japan. When she finds herself the carrier of the Shikon Jewel, the jewel of four souls, the demons arrive, forcing Kagome to release Inuyasha, a half-demon, to protect her. But when a second demon tries for the jewel, the ensuing fracas ends in the jewel being shattered and the pieces spread all over Japan. Unwillingly at first, Kagome teams up with Inuyasha to gather the pieces of the Shikon Jewel, which brings them all over ancient Japan, encountering gods, demons and spirits aplenty in their search. |
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| I'll admit I went a little overboard on my original review of Inuyasha. I am, after all, a big fan of Takahashi's work, which includes Ranma ½, Mermaid Forest and, yes, Inuyasha. I've also looked by Urusei Yatsura with some interest, but haven't gotten to the part of looking any more into that for now.) So those of you who don't share my love for Ms. Takahashi might want to take what I have to say with a pinch of salt. That being said, I'm very pleased with the way Inuyasha has turned out. Unlike Ranma ½, this series follows the manga almost to the letter, with only some minor changes so as better to suit an animated medium. And good animation at that. Inuyasha is colorful, has nice character design, and taken into account that it is a TV series, the animation is more than adequate. Perhaps not quite up to the level of Fruits Basket or Happy Lesson, but it works and works well too. I am, however, less pleased with the music. The in-series music is okay. Mostly ambient, and mostly very good. The opening and ending themes are starting to grate on me, however, even though they tend to change over a period of twenty to thirty episodes. They are more fitting a pure action show and while Inuyasha does have its fair share of action scenes, the series does run a little deeper than that. The Japanese VAs deserve nothing but praise. They do their roles and they do them well. The English ones are more of a mixed bag, with Sesshoumaru's and Sango's voices being excellent but Kagome's and Kaede's being not quite as good. Kagome starts out being voiced rather badly, but improves a lot as the series progresses and Kaede is suffering from bad and unfitting accent syndrome. I have no idea why they have her talking like ye olde pirate, but they did. (Hell, even Kikyo doesn't talk like that, and she was Kaede's big sister.) Anyway, that leaves only the story. Before we start with that, let me just get this straight; Inuyasha is mainly rather lighthearted stuff, but the Takahashi magic does show its presence rather heavily here -- after all, it's her stories that are being animated -- and she does have a knack for writing intricate person to person interaction scenes, not to mention the way she puts these characters up against each other. And while some characters might share similar appearance traits -- like Kagome and Kikyo, but for rather obvious reasons -- their personalities is a far cry from being copies of each other. And as the series progresses, more and more stuff about each characters past is discovered, and how they crossed -- well, mainly Inuyasha's and Kikyo's pasts in that. And while it was, like I said, mainly lighthearted stuff, it does get rather serious and dark-ish at times. I'll tell you this, though; not everything is as it first seems. Now, with well past a hundred episodes made, it's blindingly obvious that there will be filler material that I don't know for sure whether they are from the manga as it hasn't been released in English this far yet. This being said, the series does descend into the "villain of the week" syndrome from time to time, but the way a lot of these are handled saves it from becoming tedious. Let me just say this, though; not all of them are defeated in fights, but leaves the story with some parting thoughts for you to ponder. Not incredibly deep Zen stuff, but certainly not something to be dismissed as unworthy or simple-minded either. So what we have is a rather good popular TV show built on what makes Takahashi Rumiko's stories and characterizations work, and work well at that. I personally recommend this series for your collection and, given Viz's slow release pacing, it shouldn't ruin your budget much either. And if you do possess some semblance of patience, I'm sure Viz will release season packages of Inu Yasha like they have with Ranma ½, which might be much better value for your money. Either way, it's a good choice. If you don't like any of Takahashi's work -- and you won't mistake it for something different, that's for sure -- you'll probably want to remove a star or two. |






| QUOTE (GoldenSama @ Apr 18 2008, 09:40 PM) |
| Well, Spoony, let's do some talkin'! |
| QUOTE (GoldenSama @ Apr 18 2008, 09:40 PM) |
| To answer your Chatty Chat Question, I've actually started Ranma on Season 03. Why? 'cause my friend bought a season 3 VHS. Well... he also bought a DVD containing the final four episodes, but we didn't watch that yet. |
| QUOTE (GoldenSama @ Apr 18 2008, 09:40 PM) |
| So far I think my favorite is Akane... but I haven't watched a whole lot of the series and I don't know many of the characters that well. I just know Ranma, Akane, their dads, that creepy little pervert guy, the pig guy and spatula girl! |
| QUOTE (GoldenSama @ Apr 18 2008, 09:40 PM) |
| Though Ranma is freakin' awesome. I figured it would be, after watching Inuyasha and Urusei Yatsura, but I never got around to watching or reading it. |
| QUOTE (GoldenSama @ Apr 18 2008, 09:40 PM) |
| Do you know if there's a online manga site? I have one, but the images are kind of small and it's not always easy to read. |
| QUOTE (GoldenSama @ Apr 18 2008, 09:40 PM) |
| Now, I have a InuYasha question! I finally saw the final episode of InuYasha this week... and, well, I assume you saw it and know why I'm so freakin' irritated. I also recently learned that Takahashi has recently begun the final storyline in the manga. So my question is, do you know if there's been any announcement or speculation that, once she ends the manga, they will make a movie or some new episodes that will give the anime closure? InuYasha's one of my all-time faves, and it really disappoints me the way they ended it. >_< So I hoped you might know something I don't. |
| QUOTE (GoldenSama @ Apr 18 2008, 09:40 PM) |
| Also, also... >_> You've likely heard I've had a ton of computer problems over the last so-many months... one of the casualties was all of my old files... including those UY episodes. I don't suppose a wonderfully awesome and exceedingly zuber Lord of Silverware would be willing to help me out? :3 If not, it's cool, but I figured I might as well ask. I'm wanting to get my friend hooked on UY. XD |
| QUOTE (Clown Prince of Crime @ Jul 8 2008, 12:11 AM) |
| Or maybe not... actually, as far as Urusei Yatsura goes (the one I like the most), I might just be a wimp. I've been a fan of UY ever since I was 14 and... I guess maybe I'm afraid of never being able to see anything UY related ever again that can be "new" to my eyes. Does that make any sense? Gah, I really should finish Urusei Yatsura, though. |
| QUOTE (Dark Phazon @ Jul 7 2008, 08:39 PM) |
| This makes perfect sense. I know I haven't finished the Black Cat manga, though I'm close to the end there (and love that manga), and with me not having been able to buy all the Azumanga Daioh DVDs yet, I still haven't even gotten to the third DVD yet (I have three DVDs of the series, of which I believe there are 5 or 6 total in the whole set), yet that's another series I absolutely love. |
| QUOTE (GoldenSama @ Jul 7 2008, 08:50 PM) |
| I still have about 450+ chapters to read before I'll know everything I missed between what I own and what's been made, but I couldn't help but read the ending. ;_; Waaaaaaah~! That was so awesome! <3 What an emotional ending. Well, I really love the way it ended. I still don't know much about most of it, but I saw enough to know all the things I wanted to see happen did happen! =3 |
| QUOTE (Clown Prince of Crime @ Jul 28 2008, 10:23 PM) |
| Well, GS, there's some news you might like. The Inu-Yasha anime might be coming back (if nothing more, at least in the form of another movie). It's mentioned here. |

| QUOTE (Clown Prince of Crime @ Aug 1 2008, 03:01 AM) |
So, ya, you guys probably saw how stoked I am over at the Chatty-Chat. Well, I only briefly touched upon why, but yes, it has to do with this screenshot:![]() Here's the full story, for those of you that haven't been checking out that link I put up earlier: "Kuroi Tetsusaiga is not the only new anime to come out of the event, there is also a special opening animation featuring many of Takahashi's characters, and put together by "the cast and crew behind Inuyasha and Ranma ½" according to Shonen Sunday. In addition to the Kuroi Tetsusaiga special, there will also be a new Ranma ½ anime special entitled Okumu! Shunminkou (Nightmare! Insense of Spring Sleep), which is based on a story from Ranma ½ volume 34 by the same name, as well as a special opening (shown here) featuring Ataru, Lum, male and female Ranma, Inuyasha and Kagome. When Ataru tries to get fresh with female Ranma and Kagome, he finds himself on the receiving end of Inuyasha's "Kongosoha" and Ranma's "Moko Takabisha". The Kuroi Tetsusaiga episode will be shown on even days in August, while Okumu! Shunminkou will air on odd numbered days. Both are approximately 30 minutes." Wow, we all knew Ataru has an unbelievable resistance to pain, but to be able to survive Ranma and Inu-Yasha's most powerful attacks?! SIMULTANEOUSLY?!! :LOL: |